"Disneyland is a work of love. We didn't go into Disneyland just with the idea of making money."
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"Disneyland is a work of love. We didn't go into Disneyland just with the idea of making money."
"Disneyland is the star, everything else is in the supporting role."
"Disneyland is a show."
"It has that thing - the imagination, and the feeling of happy excitement- I knew when I was a kid."
"Here in Florida, we have something special we never enjoyed at Disneyland...the blessing of size. There's enough land here to hold all the ideas and plans we can possibly imagine."
"We've got to study the land.. . . . .We've got to put Disneyland, which everybody will know, at the very upper end of the property because that will be the weenie."
"I've always said that there will never be another Disneyland, and I think it's going to work out that way. But it will be the equivalent of Disneyland. We know the basic things that have family appeal. There are many ways that you can use those certain basic things and give them a new decor, a new treatment. This concept here will have to be something that is unique, so there is a distinction between Disneyland in California and whatever Disney does in Florida.
"I'm doing this because I want to do it better"
"Believe me, it's the most exciting and challenging assignment we have ever tackled at Walt Disney Productions."
"But the most exciting and by far the most important part of our Florida Project...in fact, the heart of everything we'll be doing in Disney World...will be our Experimental Prototype Community Of Tomorrow! We call it EPCOT."
"It's like the city of tomorrow ought to be. A city that caters to the people as a service function. It will be a planned, controlled community, a showcase for American industry and research, schools, cultural and educational opportunities."
"EPCOT will be an experimental prototype community of tomorrow that will take its cue from the new ideas and new technologies that are now emerging from the creative centers of American industry. It will be a community of tomorrow that will never be completed, but will always be introducing and testing and demonstrating new materials and systems. And EPCOT will always be a showcase to the world for the ingenuity and imagination of American free enterprise."
"I don't believe there's a challenge anywhere in the world that's more important to people everywhere than finding solutions to the problems of our cities. But where do we begin... how do we start answering this great challenge? Well, we're convinced we must start answering the public need. And the need is for starting from scratch on virgin land and building a special kind of new community that will always be in a state of becoming. I twill never cease to be a living blueprint of the future, where people actually live a life they can't find anywhere else in the world."
"Fantasia, to me is a whole new opportunity. For my medium it opens up unlimited possibilities. Music has always played a very important part since sound came into the cartoon. Now, the full expression that comes from the new Fantasound opens up a whole new world for us."
"I was doing Sorcerer's Apprentice with Mickey Mouse and I happened to have dinner on night with Leopold Stokowski. And Stokowski said, 'Oh, I'd love to conduct that for you.' ... Well, that led to not only doing this one little short subject but it got us involved to where I did all of Fantasia and before I knew it I ended up spending four hundred and some thousand dollars getting music with Stokowski. But we were in then and it was the point of no return. We went ahead and made it."